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Definition of a romantic

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Definition of a romantic

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It has, in fact, been rommantic in so many different ways that some scholars have argued that the best thing we could do with the expression is to abandon it once and for all. However, the phenomenon of Romanticism would not become less complex by simply throwing away its label of convenience. Originally, Romanticism referred to the characteristics of romances, whose extravagance carried somewhat pejorative connotations. But in the 18th century the term came to deate a new kind of exotic landscape which evoked feelings of pleasant melancholy. The term Romantic as a deation for a school of literature opposed to the Classic was first used by the German critic Karl Wilhelm Friedrich von Schlegel at the beginning of the 19th century. From Germany, this meaning was carried to England and France.

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If man is inherently sinful, reason must restrain his passions, but if he is naturally good, then in an appropriate environment, his emotions can be trusted Blake -- "bathe in the waters of life".

Romanticism in literature: definition and examples

The idea of man's natural Definirion and the stress on emotion also contributed to the development of Romantic individualism, that is, the belief that what is special in a man is to be valued over what is representative the latter oftentimes connected with the conventions imposed on man by "civilized society. So, the Romantic delights in self-analysis.

Both William Wordsworth in The Prelude and Lord Byron in Childe Harold's Pilgrimagepoets very different from one another, felt the need to write Definitkon poems of self-dramatization. The self that Byron dramatized, a projection not identical with his own personality, was especially dear to the Romantic mind: the outcast wanderer, heroic by accursed, often on some desperate quest, in the tradition of Cain or the Flying Dutchman.

For English literature the most ificant expression of a Romantic commitment to emotion occurs in Wordsworth's preface to the second edition of the Lyrical Ballwhere he maintains that "all good poetry is the spontaneous overflow of powerful feelings. Searching for a fresh source of this spontaneous feeling, Wordsworth rejects the Neoclassic idea of the appropriate subject for serious verse and turns to the simplicities of rustic life "because in that condition the passions of men are incorporated with the beautiful and permanent forms of nature.

Nature is apprehended by them not only as an exemplar and source of vivid physical beauty but as a manifestation of spirit in the universe as well.

In his desire to identify with a spiritual force, the Romantic often expressed the Faustian aspiration after the sublime and the wonderful. Committed to change, flux rather than stasis, he longs to believe that man is perfectible, that moral as well as mechanical progress is possible.

Although the burst of hope and enthusiasm that marked the early stages of the French Revolution was soon muted, its echoes lingered through much of the 19th century and even survive in the 20th century. If the Romantic often sees his enemy in the successful bourgeois, the Philistine with a vested interest in social Definirion, political revolution is not always his goal.

His admiration for the natural, the organic, which in art le to the overthrow of the Classical rules and the development of a unique form for each work, in politics may lead him to subordinate the individual to the state and insist that the needs of the whole govern the activities of the parts. Although these characteristics of Romanticism suggest something of its nature, they are far from exhaustive.

Imagination, emotion, and freedom are certainly the focal points of romanticism. Any list of particular characteristics of the literature of romanticism includes subjectivity and an emphasis on individualism; spontaneity; freedom from rules; solitary life rather than life in romantkc the beliefs that imagination is superior to reason and devotion to beauty; love of and worship of nature; and fascination with the past, especially the myths and mysticism of the middle ages.

Neoclassicism was characterized by emotional restraint, order, logic, technical precision, balance, elegance of diction, an emphasis of form over content, clarity, dignity, Definirion decorum.

Its appeals were to the intellect rather than to the emotions, and it prized wit over imagination. As a result, satire and didactic literature flourished, as did the essay, the parody, and the burlesque. In poetry, the heroic couplet was the most popular verse form.

Morner, Kathleen and Ralph Rausch. Romanticism: The American Scholar A. Lovejoy once observed that the word 'romantic' has come to mean so many things that, Definitikn itself, it means nothing at all The variety of its actual and possible meanings and connotations reflect the complexity and multiplicity of European romanticism.

Lucas counted 11, definitions of 'romanticism'. In Classic, Romantic and Modern Barzun cites examples of synonymous usage for romantic which show that it is perhaps the most remarkable example of a term which can mean many things according to personal and individual needs.

The word romantic ism has a complex and interesting history. In the Middle Ages 'romance' denoted the new vernacular languages derived from Latin - in contradistinction to Latin itself, which was the language of learning.

Hopeless romantic

Enromancier, romancar, romanz meant to compose or translate books in the vernacular. The work produced was then called romanz, roman, romanzo and romance. A roman or romant came to be known as an imaginative work and a 'courtly romance'. The terms also ified a 'popular book'.